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He's usually the jovial gladhanding type, often a knave, but never a villain as he is here. Also look for some good acting by Elissa Landi, Louis Calhern and especially Raymond Walburn in their parts. Chips this one would have been the signature role of his career. If it were not for the Oscar Donat received for Goodbye Mr. Donat makes us believe his transformation from the young and hopeful Edmund Dantes to the calculating Monte Cristo. Monte Cristo is the perfect kind of role for the cerebral Robert Donat. If you have to take vengeance make sure it is an extremely calculated series of moves. The kids from Sleepers as well millions of others have learned what Dumas tried to convey, that hot blooded revenge killing won't do. He's the Count of Monte Cristo now, having been bequeathed a hidden treasure by another inmate. After years there Donat effects his escape and plans to wreak vengeance on them, but not just to kill them, to expose them because all three have risen to importance in France.
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Three men who have their own reasons not to see the truth come out imprison Donat without trial in an island prison off Marseilles. Now he doesn't know he's carrying the letter, it was given to him by his dying captain. Robert Donat is Edmund Dantes an ordinary seaman who carries a letter from Elba about Napoleon Bonaparte's imminent return to France in 1815.
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Edmund Dantes code of street justice translates very easily to just about every culture in the world, be it the mean streets of New York or the post Napoleonic Era in France. The miniseries is a lot of Gerard Depardieu in four sittings, and hes a rare performer who can carry the burden. They found in the Alexandre Dumas novel a man they could understand very easily given their street code.
#The count of monte cristo rotten tomatoes movie
Case in point, the movie Sleepers where four young men from Hell's Kitchen were sexually abused in a reform school they were sentenced to. Regardless of his ups and downs, Reynolds remained a viable director capable of helming compelling and commercially successful films.As a story The Count of Monte Cristo still has great power. He did direct a compelling adaptation of Alexandre Dumas' "The Count of Monte Cristo" (2002), only to stumble once more with the underwhelming take on "Tristan & Isolde" (2006). Though the two would eventually kiss and make up, Reynolds struggled to regain his footing, especially after the commercial failure of the urban drama "187" (1997). Reynolds next helmed the notoriously troubled "Waterworld" (1995), which earned considerable pre-release press for its costly overruns and delayed shooting schedule, not to mention a public falling out with Costner during post-production. He went on to direct the little-known Cold War action flick, "The Beast" (1988), before having a huge box office hit with "Robin Hood: Prince of Thieves" (1991).
Meanwhile, Reynolds got his feet wet the year before when his script for "Red Dawn" (1984) was made by John Milius. Though a box office dud, the film earned a reputation for being one of the more appreciated directorial debuts made in recent memory. After his student film "Proof" attracted the attention of Spielberg, Reynolds directed a feature-length version called "Fandango" (1985) with Costner in the lead.
Though he had a promising start thanks to early support from Steven Spielberg, director Kevin Reynolds became sporadically successful in Hollywood, often in stormy but productive collaborations with actor Kevin Costner.
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